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Gene Siskel of the Chicago Tribune gave the film 3 stars out of 4, calling it 'an old-style comedy revue in which each actor has his chance to crack up the audience with one big scene.

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Vincent Canby of the New York Times wrote that the film 'is essentially a put-on, but it's so full of good humor and, when the humor goes flat, of such high spirits that it reduces movie criticism to the status of a most nonessential craft'. The film received mixed-to-positive reviews upon release. It was on the list of top 50 highest-grossing films at #3, just three months after its release. Uptown Saturday Night grossed $7,400,000 in the US, surpassing its production cost of $2,500,000. He spoke proper English, dressed conservatively, and had the best of table manners.' Reception During his career, he refused roles that enforced negative stereotypes, and chose to play characters who were 'dignified, proud, and ethical.' Critics have noted this pattern: 'In all his films, was educated and intelligent. Poitier sought to represent black actors on screen in an elegant manner in contrast to the usual image of blacks in Hollywood. The characters in the film, while different in their motives and demeanor, have a sophisticated and classy appearance in the black community (with the exception of Sharp Eye Washington). Poitier then directed Uptown Saturday Night and its sequels, Let's Do It Again and A Piece of the Action. The first film that he directed was Buck and the Preacher, in which he starred with Belafonte. Throughout his career, Poitier was frustrated with Hollywood's portrayal of blacks in film and television, which motivated him to direct films during the blaxploitation era. in the midst of the blaxploitation film era along with films such as Cleopatra Jones and Black Belt Jones. Uptown Saturday Night was produced by Warner Bros.

Harold Nicholas as Seymour 'Little Seymour'.

Lincoln Kilpatrick as Slim's Henchman #1.

Paula Kelly as Peggy 'Leggy Peggy' / Mrs.

Roscoe Lee Browne as Congressman Chesley Lincoln.

Richard Pryor as 'Sharp Eye' Washington.

Driven by money, he and his crew rob everyone at Madame Zenobia's estate and steal cash and jewelry, including Steve's wallet.

Calvin Lockhart as 'Silky Slim', a lead gangster and rival of Geechie Dan.

Although he is tough and stubborn, he is also easily persuaded when money is involved.

Harry Belafonte as Dan 'Geechie Dan' Beauford, a short-tempered gangster.

He persuades Steve to go to Madame Zenobia's, and later to visit Sharp Eye Washington. He has a carefree attitude, and will often act impulsively when presented with thrilling and exciting situations.

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Bill Cosby as Wardell Franklin, a taxi driver and Steve's best friend.His wallet was stolen by Silky Slim at Madame Zenobia's. He is confident and flirtatious, and he will often take up challenges posed by his best friend Wardell. Sidney Poitier as Steve Jackson, a steel-mill worker and tame family man.Steve and Wardell devise a plan to recover the ticket. When they realize that a winning lottery ticket worth $50,000 is in the wallet, Steve and Wardell set out to find the crooks themselves with the help of gangster Geechie Dan Beauford, who wants to defeat his rival Silky Slim. She died of cancer in the Cedars-Sinai Medical Center in Los Angeles at the age of 56.While enjoying themselves at Madame Zenobia's club on Saturday night, Steve Jackson and Wardell Franklin are held up by robbers who raid the club and steal Steve's wallet. Of all her many accomplishments, Rosalind Cash was proudest of her work with the Negro Ensemble Company, which she co-founded in the late '60s. In 1992, her name was inducted into the Black Filmmakers Hall of Fame. In 1987, Cash was given the Phoenix Award by the Black American Cinema Society in honor of her achievements. Though she rarely had the opportunity to demonstrate the full extent of her range and ability, Cash's characters were intelligent, independent, and sexy. One thing that set Cash apart from other African-American actresses was her refusal to play stereotypical roles. Daytime-drama devotees know Cash best as the matriarchal Mary Mae Ward on General Hospital, but she has made many appearances on television in series, telepics, and miniseries. Her film career began when Charlton Heston personally selected her to co-star in his 1971 sci-fi vehicle The Omega Man.

Cash made her Broadway bow in the 1966 production The Wayward Stork. During her early years as an actress, Rosalind Cash moonlighted as a hospital aide, waitress, salesgirl, and nightclub singer.

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